Cultural Resonances and Stylistic Divergences: A Conceptual Study of Shi Guangnan’s 'Regret for the Past' and Rossini’s 'William Tell'

Wen Sihui; Sumathi A/P

doi:10.56982/dream.v3i10.267

Authors

Wen Sihui City University, Kuala Lumpur, Malaysia
Sumathi A/P Maniam City University, Kuala Lumpur, Malaysia

DOI:

https://doi.org/10.56982/dream.v3i10.267

Keywords:

cultural and stylistic themes, national identity, emotional state, societal narrative

Abstract

This paper explores the cultural resonances and stylistic divergences in the works of two influential composers, Shi Guangnan and Gioachino Rossini, focusing on Guangnan’s Regret for the Past and Rossini’s William Tell. By examining the cultural and historical contexts in which these pieces were composed, this study analyzes how both works reflect their respective national identities, emotional themes, and broader societal narratives. The paper delves into the structural and stylistic elements of each piece, comparing Guangnan’s use of traditional Chinese music with modern influences and Rossini’s operatic innovations within the Western classical tradition. Through this comparison, the study highlights how these composers navigate universal themes like regret, heroism, and nationalism. In addition, it suggests future research directions, including the exploration of other composers from diverse traditions, the analysis of universal themes in cross-cultural music, and the impact of digital technologies on global musical exchanges. This paper contributes to the growing field of cross-cultural musicology by providing new insights into the interplay between cultural identity and musical expression.

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